I did not even think of doing this entry... at least, not yet. After all, 2011 still has a few days left - but then the counter argument would be do I forsee myself making dramatic changes that will dramatically affect how I feel for 2011? Not really... so I guess now's as good as any time until 2012 creeps in.
So, how was 2011 for me? Good question. As I try to think back, I find it really hard to come up with a definite 'Great!' or 'Sucks!' idea. In fact, I'd even venture to say it was 'All right, I guess' - kind of answer. And yes, with emphasis on the 'I guess' part as well, because 2011 - they year that was, was... okay. It wasn't a bad year... but it wasn't really a good one either. Its a mixed reaction, really.
On work:
This year wasn't spectacular on training - just like last year... and we were still on the seeming receiving end of said training short stick. When the client said jump, our handler would jump. In fact, when we would give feedback on improvements, we'd be brushed off as complainers - ones too spoiled for an old set-up... even if that particular set up was much better. Later, we would - in one way or another, be proven right, and we'd still be in the losing end of the deal because the point we were stating would just be swept under the rug. When the client made a mistake (and in this case, it was a gross foul up) we ended up having to work extra hard to help them fix things.
What did we get out of it? Sore throats, tired bodies... and for some, we even got sick out of sheer exhaustion. What did we get back? A certificate of recognition? And even the process of this certificate giving was... to put it mildly, questionable.
On the plus side, we finally got an ally in Accenture by way of Sheila - now, we won't just be trampled, because these power trippers realize we're friends with their new boss. how long this will last, though is anyone's guess. Suffice it to say, for the effort we're giving, we're not getting as much as we deserve... and training still remains a poor priority in Accenture. More often, its like they do the training conducts just for the sake of 'number of conduct' metrics.
Its definitely more than enough for us to seek other avenues of revenue - and speaking of this, 2011 also saw me join an Accenture project - the U2K2 SAP implementation in Unilever, Philippines. I would like to think I held out on my own as long as possible in a very tightly scheduled project. I mean, think of it... I get rolled in expecting some support - and the only person who can give me a semblance of support leaves the project out of frustration to the regional team. I'm in a position that makes me coordinate stuff with everyone - in an environment I'm not too familiar with, and with people I don't know. I'm given some tasks beyond my expected (by NGL) area of responsibility, and I hardly get support from anyone. I'm expected to be on top of the situation with everything - yet I can hardly control, or keep tabs with everything and everyone.
There comes a time when I'm just too tired - and the pace does not slacken. I make mistakes, and get reprimanded - even if I'm just receiving the data. If I wasn't being paid more, I would have seriously reconsidered staying in the project. As it was, I did it to make sure I could save up for Bryce's tuition, and you could say this project came in the right time, as it allowed me to cover the greater expenses so barbie could help her dad with his hospitalization.
On the plus side, I learned more about Accenture projects - as it was my first exposure to one. I definitely understood what was lacking to make me better deliver, but being a consultant makes me rather low in the power totem pole. I see my easing out as a possible political maneuver - to make some people smell better. To be honest, I was also not in the best of health when I joined, so I had some difficulties as well. I was less experienced, but was compensating... but as I said, this was a learning spike. Had I a second go at it, I'm sure I could function a whole lot better, knowing what I do now. But will that happen? I don't know. Still, I'm thankful for the opportunity - and I'm a better facilitator in sharing some experiences and understanding the ideas and methodologies for it.
On learning new stuff:
I don't think I learned a lot of new stuff - aside from the U2K2 experience, I think I read less technical or behavioral-related books this year than last. I mean, aside from Covey's new book (The 3rd Alternative) - which I am currently stuck in the middle of... and the 'Influencer: Power to Change Anything' audio book which I soldiered through just these past two to three weeks, I can hardly think of any other book I've read and learned from... so much for lasting impressions, I guess.
I did make some headway with being a better photographer - and I've got some great shots to prove it. What I lack will be a vision whenever I go take a shot. Right now, I'm more reactive... though I do inject some inputs... its more like shoot what I see and hope some come out right. Still, I am learning, and I may save up for some lighting equipment. So you see, 2011 wasn't a total loss or waste.
On family:
I'd have to consider this a status quo - granted, Bryce is now in College, and it fills me with some pride to see him doing okay in La Salle... specially after a rather rocky start. I've tried supporting him, and in one instance, I was able to really help him debug a program. But as he shifts to medicine, he will be entering fields I am not familiar with.
Bernice seems to be running on automatic - and my influence has been rather minimal, in fact I suspect that had it not been for her occasional need for allowances or gimmick funds, we'd hardly talk. Recently, though, I may have found some leeway as I support an interest of hers - that is, fashion shoots. I also did allow her to recently go on an out of town trip with her classmates. A show of trust on my end... though I think I need to talk to her about openly displaying herself. I feel she needs to be a tad more conservative. I like that she reads books - and will willingly spend for her new books as long as I can do so.
Barbie lost her dad fairly recently, and despite the costs due to hospitalization and medicine, I steered clear of that hot button, lest I get Barbie's ire. To say I'm glad he finally found peace might even get a negative (read as scathing and sarcastic) remark form her. So to keep the peace, I just protect the family's interest. Now that he's gone, there's still a seeming adjustment period. Her mom frequently visits us... and that's okay with me, because as she distracts her mom form thinking about her dad, the same hold true for her. She needs these distractions to keep her from thinking too much. Hopefully, 2012 will afford such distractions.
Mom's been fine and coping... Papa's likewise doing okay (but just okay like me), I feel that I've not spent a lot of time with them - given my very busy project schedule and Barbie's family's needs. It was nice for my folks to separately show support. Now I feel that I should be around them more often. I have to make that happen more next year.
On interests:
I still read and collect comics. In fact, this recent DC revamp has me getting a lot more titles - but I'm starting to trim down on these. I have recently started to be a bit more aggressive with trade collections - in fact, my top library bookshelf is full beyond capacity with these trades.
Books have been a steady stream of interests... in fact, just today, I'm collecting older Matthew Riley books about a seeming character he's created 'The Scarecrow'. After all, I did like his 7-6-5 book series, and if his earlier works have the same pacing, then I'm in for a great ride. I've also been reading the new Star Trek adventures.
On the DVD front, I find that I've yet to watch one movie since the Christmas break started. I've more often than not watched these movies in DVD format. Only saving the real hits fore the big screen. I mean, with movie prices the way they are, I do make it a point to think twice (and thrice) before spending on a movie - specially if I can wait 6 months; or less, for the DVD to appear. I may not be seeing it on the big screen, but I can pause, review a scene and yes... repeat the movie. So what were the biggies? Thor, Captain America, Harry Potter's last movie, and um the latest Twilight film. I'm sure there's more... but I can't recall right now.
On being me:
I still need to exercise more often. The exercise machine given to Barbie lately (for her 20th year in JJMP) will help. I postponed my annual physical - though technically, I shouldn't. I had to, since December was tight.
I have still been organizing the group's Bacardi nights - though I suspect that there have been less Bacardi nights - no surprise, as a great number of these were held at home, and it would still be awkward to have them at home. I mean, I don't mind... but Barbie does.
On the side note, I may be the one my friends listen to - or they're just too lazy to organize one (or it may be both). So that's it... unless I suddenly come up with more 'share-able' stories.
Butch's ever wandering mind
Imaginative tales, articles, writings that may (or may not) be worth something or anything... particularly results of my creative juices being stretched every once in a while. Knowing a person's thoughts and imagination is to ultimately understand that person. Get to know mine, get to know me.
Friday, December 30, 2011
Tuesday, December 27, 2011
Top Avengers covers between 200 - 299 (part 2)
Continuing my countdown of the Top Ten covers for Avengers covering issues 200 to 299. If you missed the first part of this, you can always go to this link: Top Ten Avengers 200-299 pt1. And so we move on:
Number 5 - Issue 290
This is number five because of several reasons... 1) it shows the Avengers plus a few guest stars (in this case, Marina and Machine Man) individually contained in cubes and unable to get out - and boy, if that does not pique your interest... 2) it shows the Captain (Steve Rogers' persona), signifying that he's in this story - even if he isn't actively in the team's roster; and for fans following the title, they will know he's been away - for readers not following the title, they will be drawn to what is obviously a new costume for 'Captain America'... 3) though this is for die hard fans, it shows an Avengers antagonist long time not seen - the Super Adaptoid, seemingly triumphant and showing new powers than simply just absorbing the heroes collective powers. So how cool is that?
The cover also happens to be drawn by John Buscema - most possibly the perennial Avengers artist when one considers the history of this title (you see, as of this issue's release, George Perez would still not have done his second coming to the title - and even if he did, fans - including me, would be torn to consider if George or John would be the perennial artist for this title)... hence my 'most possibly' statement.
Again the cover gives one a hint of what to expect within the issue's pages - and captured though they seem to be by a very powerful enemy, die hard fans will naturally expect the Avengers to somehow escape and win the day... its just a matter of how. Steve's inclusion, even if just as a guest was a great pull - specially in his Captain uniform, somehow conveys to me the need to have either Cap, IM or Thor in any incarnation of the team... not that I'm selling Captain Marvel and company short... its just a fanboy preference.
Number 4 - Issue 223
Talk about cover impact... this issue has got to be one attention getter. I can't remember if the Distinguished Competition has ever used an Atom - Green Arrow team up that made GA make Atom ride his arrow - somehow I think they did... but I can't recall exactly when. Still, even if such a team up happened, I never saw a cover as dramatically presenting such a team up as this Avengers cover. I mean, seeing Hawkeye and Antman... both looking intense as they execute the 'ride the arrow' stunt.
By this cover alone, I was definitely hooked to look inside the comic - and hoped that the story inside conveyed the drama and promised action that the cover seemed to promise. After all, how often do they execute such a move? And for what reason?
As the title blurb indicates 'Somebody's gonna to get it', and with a cover like this, it sort of made a promise to some great action scenes. Another reason I liked the concept of this cover is the fact that I don't think Hawkeye and Antman have been teamed up as often as I can remember, so this was definitely not only intense looking - but unique.
Number 3 - Issue 221
I don't know if this is the first time they've tried this kind of a cover. I mean, the Avengers line-up changes has been as much a tradition as, say Jarvis being part of the mansion (or tower, or mansion again), but I wonder if this was the very first time this kind of marketing gimmick was used... and I'm too lazy to check - anyway the use of the line-up change announcement plus mug shots of possible candidates does catch one's interest.
Funny... back then it was unimaginable to have Wolverine or Doc Strange join... and I don't think the same would be said for the Invisible Woman (then still referred to as the Invisible Girl) - so could it be possible that this cover was a sort of an oracle for things to come decades later? Who knows. I mean, look at the top row and just remove Dazzler. See?
Still, it was a nice attention grabber... and seeing many faces with the possible hint of two characters in the mug shots would be Avengers within the issue itself? Well, lets just say I was hooked to find out more.
Number 2 - Issue 255
Think about it... a painted cover! Around this time, such a style was basically a novel idea - and to actually usher in the arrival of John Buscema, not just as the cover artist, but the issue's artist as well... paired off with Tom Palmer! Would I have possibly missed out on this milestone of an issue had I not been following the title? I'd like to think yeah... I would have taken notice - simply because of the issue's cover.
The line up of Cap, Herc and Black Knight also somehow ushers back the team line up during John's first tour of duty in this title. With the addition of Starfox and Captain Marvel, plus the starfield cover background, this issue promises a space adventure in the offing - at least, that's my interpretation.
Honestly, though, had this issue's painted cover been slightly more action-oriented... one with greater impact, I would have chosen it as number 1. The fact that it reached number 2 is a testament to John Buscema's beautifully painted cover work.
Number 1 - Issue 276
Talking about a more action-oriented cover, this is why I chose this particular issue to be number 1, its got an intense looking Thor ready to pound some heads, ably supported by Captain America, Captain Marvel, the Black Knight... and Doctor Druid? Again, as line-up considerations come into play, I would have had question the wisdom of adding Druid - then again, he was just a guest, so it was a way for me to find out more about the character. Prior to his showing up in Avengers, Druid was a tabula rasa to me.
Once again, we have John Buscema and Tom Palmer to thank for such a great cover, and as I previously said, this topped the previously mentioned painted cover (by a slight margin) because it was more action oriented. After all, who wouldn't be thrilled with the return of Thor to the title? Sporting a beard at that! This is, of course, picking up from a blank knowledge perspective - but... followers of the title would know that this was the second round of the battle between the Avengers and the Masters of Evil that had besieged Avengers Mansion, so this was the start of payback. Thor being in the issue meant a set of much needed muscles and fire power (in a manner of speaking) against the same Master who put a very inebriated and drugged Hercules to the hospital.
So... there you have it. The top ten covers from Avenger's next hundred issues. I'll eventually make the third part which will cover issues 300 to 399, but not now. I barely squeezed this out during the holiday season's lull. Maybe in January. Until then, Avengers Assemble!
Number 5 - Issue 290
This is number five because of several reasons... 1) it shows the Avengers plus a few guest stars (in this case, Marina and Machine Man) individually contained in cubes and unable to get out - and boy, if that does not pique your interest... 2) it shows the Captain (Steve Rogers' persona), signifying that he's in this story - even if he isn't actively in the team's roster; and for fans following the title, they will know he's been away - for readers not following the title, they will be drawn to what is obviously a new costume for 'Captain America'... 3) though this is for die hard fans, it shows an Avengers antagonist long time not seen - the Super Adaptoid, seemingly triumphant and showing new powers than simply just absorbing the heroes collective powers. So how cool is that?
The cover also happens to be drawn by John Buscema - most possibly the perennial Avengers artist when one considers the history of this title (you see, as of this issue's release, George Perez would still not have done his second coming to the title - and even if he did, fans - including me, would be torn to consider if George or John would be the perennial artist for this title)... hence my 'most possibly' statement.
Again the cover gives one a hint of what to expect within the issue's pages - and captured though they seem to be by a very powerful enemy, die hard fans will naturally expect the Avengers to somehow escape and win the day... its just a matter of how. Steve's inclusion, even if just as a guest was a great pull - specially in his Captain uniform, somehow conveys to me the need to have either Cap, IM or Thor in any incarnation of the team... not that I'm selling Captain Marvel and company short... its just a fanboy preference.
Number 4 - Issue 223
Talk about cover impact... this issue has got to be one attention getter. I can't remember if the Distinguished Competition has ever used an Atom - Green Arrow team up that made GA make Atom ride his arrow - somehow I think they did... but I can't recall exactly when. Still, even if such a team up happened, I never saw a cover as dramatically presenting such a team up as this Avengers cover. I mean, seeing Hawkeye and Antman... both looking intense as they execute the 'ride the arrow' stunt.
By this cover alone, I was definitely hooked to look inside the comic - and hoped that the story inside conveyed the drama and promised action that the cover seemed to promise. After all, how often do they execute such a move? And for what reason?
As the title blurb indicates 'Somebody's gonna to get it', and with a cover like this, it sort of made a promise to some great action scenes. Another reason I liked the concept of this cover is the fact that I don't think Hawkeye and Antman have been teamed up as often as I can remember, so this was definitely not only intense looking - but unique.
Number 3 - Issue 221
I don't know if this is the first time they've tried this kind of a cover. I mean, the Avengers line-up changes has been as much a tradition as, say Jarvis being part of the mansion (or tower, or mansion again), but I wonder if this was the very first time this kind of marketing gimmick was used... and I'm too lazy to check - anyway the use of the line-up change announcement plus mug shots of possible candidates does catch one's interest.
Funny... back then it was unimaginable to have Wolverine or Doc Strange join... and I don't think the same would be said for the Invisible Woman (then still referred to as the Invisible Girl) - so could it be possible that this cover was a sort of an oracle for things to come decades later? Who knows. I mean, look at the top row and just remove Dazzler. See?
Still, it was a nice attention grabber... and seeing many faces with the possible hint of two characters in the mug shots would be Avengers within the issue itself? Well, lets just say I was hooked to find out more.
Number 2 - Issue 255
Think about it... a painted cover! Around this time, such a style was basically a novel idea - and to actually usher in the arrival of John Buscema, not just as the cover artist, but the issue's artist as well... paired off with Tom Palmer! Would I have possibly missed out on this milestone of an issue had I not been following the title? I'd like to think yeah... I would have taken notice - simply because of the issue's cover.
The line up of Cap, Herc and Black Knight also somehow ushers back the team line up during John's first tour of duty in this title. With the addition of Starfox and Captain Marvel, plus the starfield cover background, this issue promises a space adventure in the offing - at least, that's my interpretation.
Honestly, though, had this issue's painted cover been slightly more action-oriented... one with greater impact, I would have chosen it as number 1. The fact that it reached number 2 is a testament to John Buscema's beautifully painted cover work.
Number 1 - Issue 276
Talking about a more action-oriented cover, this is why I chose this particular issue to be number 1, its got an intense looking Thor ready to pound some heads, ably supported by Captain America, Captain Marvel, the Black Knight... and Doctor Druid? Again, as line-up considerations come into play, I would have had question the wisdom of adding Druid - then again, he was just a guest, so it was a way for me to find out more about the character. Prior to his showing up in Avengers, Druid was a tabula rasa to me.
Once again, we have John Buscema and Tom Palmer to thank for such a great cover, and as I previously said, this topped the previously mentioned painted cover (by a slight margin) because it was more action oriented. After all, who wouldn't be thrilled with the return of Thor to the title? Sporting a beard at that! This is, of course, picking up from a blank knowledge perspective - but... followers of the title would know that this was the second round of the battle between the Avengers and the Masters of Evil that had besieged Avengers Mansion, so this was the start of payback. Thor being in the issue meant a set of much needed muscles and fire power (in a manner of speaking) against the same Master who put a very inebriated and drugged Hercules to the hospital.
So... there you have it. The top ten covers from Avenger's next hundred issues. I'll eventually make the third part which will cover issues 300 to 399, but not now. I barely squeezed this out during the holiday season's lull. Maybe in January. Until then, Avengers Assemble!
Thursday, December 08, 2011
Top Avengers covers between 200 - 299 (part 1)
This entry continues my selections for top Avengers covers. These are, of course, my personal choices - there may not be any science involved is said selection, and it may come as a surprise to others as to why I may have chosen one cover and not another. The answer is simple... the cover was chosen because it appealed to me in a visual manner - meaning, had I passed a comic store and saw these titles for the first time, they would possibly elicit a 'wow!' from me. After all, in purchasing a comic - though the cover isn't the be all and end all of the selection, it's what initially draws the attention... and in said attention gotten, it can make a difference in whether the comic's issue would be bought or not. Anyway, off to the countdown.
Number 10 - issue 200
I rarely like anniversary covers - more often than not, they don't really convey what is happening inside the issue, since the creative team would most likely want to emphasize the milestone number rather than what the story may entail. Unfortunately, this issue is no exception, however... it also happens to be an issue done by Gentleman George Perez, and despite its seeming campiness (probably because of the Beast).
But setting aside the large 200 (which was meant more like an advertisement for the title's longevity), one can't help but realize why George was so popular with the fans - I mean, look at those master strokes... the details. You can't really call that artwork hokey. Iron Man, the Scarlet Witch, Ms. Marvel... these three are drawn masterfully - and lets not forget the Vision seemingly flying in between the title and the number. So yeah... just because its George and his ability to squeeze in a lot of Avengers, this cover makes my list.
Number 9 - issue 201
Another George Perez masterpiece - and what makes it unique (from a whimsy standpoint) is the fact that Jarvis is the focus of the cover. Looking at the said cover begs the question 'what exactly is Jarvis referring to?' as he makes a near heroic pose - armed with nothing but a vacuum cleaner... as the assembled Avengers watch with a bemused manner - well, with exception to the Vision and Iron Man.
Again, the art is masterfully done - actually, more so than issue 200's rendition; in fact, I had to do a double take to make sure it was the same George Perez doing said art for this issue (it's definitely not John Byrne, that's for sure)... perhaps the inker? Most likely the difference is because of the inker. Or maybe George had more time to come up with this cover? After all, its possible that the cover of 200 might have been changed - hence the semi-rushed look. Whatever the case, the cover got my attention among all the other covers - which was more than enough to include it in the top ten.
Number 8 - issue 204
Trapped in the island of the Yellow Claw calls attention due to its action. Here we see a larger than life Yellow Claw - a villain who's been around since the pulp fiction days, which may have added to my interest - but given the possibility of it being any other villain, its how said villain stuck a pose that is threatening (despite his just seemingly standing there - which can be interpreted as an image gloating while the battle rages), possibly due to the visage presented by the Yellow Claw, and the drones which are attacking the Avengers.
I'm at a loss as to who the cover artist is, but the feeling conveyed by said cover's action is one that seems to promise a serious and intense battle within the issue's pages After all, isn't that the purpose of covers? To somehow convey what the issue promises?
Number 7 - issue 292
It Came from the Depths shows another action oriented cover. People who aren't following the story will just assume that the Avengers are arriving hot with the Quinjet - including Thor who's riding the jet's top for reasons I can only guess at as opposed to using Mjolnir and flying independently like Captain (Monica) Marvel - but admit it... this adds to the sense of urgency as the Quinjet can travel much faster - and apparently, speed was needed in this situation.
In reality, said monster is Marina - former Alpha Flight member, bride to Namor; who is currently an Avenger on leave. So knowing this gives the cover an added sense of urgency - this is not just a monster that should be stopped, but a friend who should be saved. A task that may not be so easy to do, considering Marina's strength - a fact presented in the cover by way of showing her ramming (or biting off) a portion of the battle ship. The other Avengers at this point are the Black Knight, Doctor Druid and the She-hulk, so this roster (with exception to Thor) does not seemingly boast of too strong a line-up... hence another concern by those that follow the exploits of this team.
Number 6 - issue 254
Ultimate Vision shows a sneering face of the Vision (who is in virtual form as he has tapped and taken control of all the computers in the U.S. - if not the world), while the Avengers are seemingly floating around - helpless. So definitely, this is a dramatic cover that conveys what is happening in the issue - it summarizes the situation very clearly... the problem is not a villain as we know it. The problem is an avenger gone bad.
Coloring the entire cover - with exception to the Vision's face; which is just in black and white, further emphasizes the visage of the Vision as a seemingly uncaring (though ironically feeling) synthezoid.
The Vision's actions here will eventually have repercussions which will lead to his being disassembled by government scientists in the pages of West Coast Avengers.
Number 10 - issue 200I rarely like anniversary covers - more often than not, they don't really convey what is happening inside the issue, since the creative team would most likely want to emphasize the milestone number rather than what the story may entail. Unfortunately, this issue is no exception, however... it also happens to be an issue done by Gentleman George Perez, and despite its seeming campiness (probably because of the Beast).
But setting aside the large 200 (which was meant more like an advertisement for the title's longevity), one can't help but realize why George was so popular with the fans - I mean, look at those master strokes... the details. You can't really call that artwork hokey. Iron Man, the Scarlet Witch, Ms. Marvel... these three are drawn masterfully - and lets not forget the Vision seemingly flying in between the title and the number. So yeah... just because its George and his ability to squeeze in a lot of Avengers, this cover makes my list.
Number 9 - issue 201
Another George Perez masterpiece - and what makes it unique (from a whimsy standpoint) is the fact that Jarvis is the focus of the cover. Looking at the said cover begs the question 'what exactly is Jarvis referring to?' as he makes a near heroic pose - armed with nothing but a vacuum cleaner... as the assembled Avengers watch with a bemused manner - well, with exception to the Vision and Iron Man.
Again, the art is masterfully done - actually, more so than issue 200's rendition; in fact, I had to do a double take to make sure it was the same George Perez doing said art for this issue (it's definitely not John Byrne, that's for sure)... perhaps the inker? Most likely the difference is because of the inker. Or maybe George had more time to come up with this cover? After all, its possible that the cover of 200 might have been changed - hence the semi-rushed look. Whatever the case, the cover got my attention among all the other covers - which was more than enough to include it in the top ten.
Number 8 - issue 204
Trapped in the island of the Yellow Claw calls attention due to its action. Here we see a larger than life Yellow Claw - a villain who's been around since the pulp fiction days, which may have added to my interest - but given the possibility of it being any other villain, its how said villain stuck a pose that is threatening (despite his just seemingly standing there - which can be interpreted as an image gloating while the battle rages), possibly due to the visage presented by the Yellow Claw, and the drones which are attacking the Avengers.
I'm at a loss as to who the cover artist is, but the feeling conveyed by said cover's action is one that seems to promise a serious and intense battle within the issue's pages After all, isn't that the purpose of covers? To somehow convey what the issue promises?
Number 7 - issue 292
It Came from the Depths shows another action oriented cover. People who aren't following the story will just assume that the Avengers are arriving hot with the Quinjet - including Thor who's riding the jet's top for reasons I can only guess at as opposed to using Mjolnir and flying independently like Captain (Monica) Marvel - but admit it... this adds to the sense of urgency as the Quinjet can travel much faster - and apparently, speed was needed in this situation.
In reality, said monster is Marina - former Alpha Flight member, bride to Namor; who is currently an Avenger on leave. So knowing this gives the cover an added sense of urgency - this is not just a monster that should be stopped, but a friend who should be saved. A task that may not be so easy to do, considering Marina's strength - a fact presented in the cover by way of showing her ramming (or biting off) a portion of the battle ship. The other Avengers at this point are the Black Knight, Doctor Druid and the She-hulk, so this roster (with exception to Thor) does not seemingly boast of too strong a line-up... hence another concern by those that follow the exploits of this team.
Number 6 - issue 254Ultimate Vision shows a sneering face of the Vision (who is in virtual form as he has tapped and taken control of all the computers in the U.S. - if not the world), while the Avengers are seemingly floating around - helpless. So definitely, this is a dramatic cover that conveys what is happening in the issue - it summarizes the situation very clearly... the problem is not a villain as we know it. The problem is an avenger gone bad.
Coloring the entire cover - with exception to the Vision's face; which is just in black and white, further emphasizes the visage of the Vision as a seemingly uncaring (though ironically feeling) synthezoid.
The Vision's actions here will eventually have repercussions which will lead to his being disassembled by government scientists in the pages of West Coast Avengers.
Friday, October 28, 2011
Top Avengers covers between 100 - 199 (part 2)
This is the second part of my countdown to the Ten best covers of Avengers from issues 100 to 199.
Number 5 - issue 190
This cover shows a lot of action - as the Avengers (plus Daredevil) try to stop what seems to be an alien life form (its not) from seemingly just rampaging in the docks - and not exactly succeeding as Captain America, and the Beast are being tossed aside (either that or they're dodging the supposed blow in their own unique style), while Iron Man seems pinned down and the rest of them - Wasp, Ms. Marvel and the Vision are joining the fray.
The art is by then getting to be legendary artist - John Byrne with (I suspect) inks by Tom Palmer or Joe Rubinstein. Even the mastheads are a John Byrne rendition of the Avengers including the Falcon (who is not in the cover - probably doing monitor duty).
Byrne's dynamism shows in how his heroes are anatomically presented - Ms Marvel is sexy yet muscular, the Vision is seen rushing in form the right end of the cover and even considering the Wasp's wingspan being almost twice her body length to be able to lift her and make her fly. It is therefore no surprise that John's covers will show up again in this list.
Number 4 - issue 190
This cover shows the Beast passing on an antidote to the Vision as the latter is turning intangible to enter an unconscious and enlarged Yellow Jacket as Thor and the Scarlet Witch look on - unable to do anything else.
For long time Avengers fans - this represents a pleasant reversal of roles, as Hank Pym, then using his Antman persona, had to once enter the Vision to find out what was wrong with him.
For X-men fans, this was Hank McCoy doing what he did best - reminding everyone that he too, was a biochemist, and in this instance, he was using his mind to solve a problem to help his fellow Avenger. For Avengers fans who were still seeing the Beast as an X-man just hanging around the Avengers mansion, it represented the first step in realizing that the Beast had other things to contribute to the team aside from jokes.
The title blurb was a bit confusing though... and may have been better served if it was Invasion into the 50-foot hero = not of... but then again, who know? Maybe Yellow Jacket did invade something - after all, its been a long time since I've read this particular issue.
Number 3 - issue 186
As covers go, this one shows a captured Scarlet Witch being part of a magical spell - cast in a crucifix pose, possibly as a sacrifice, while the rest of her teammates who are not aware and nowhere near to help her... are simply represented by their floating heads (which are basically an enlarged version of their mastheads, lined up at the cover's left margin).
Adding to the danger is the fact that the antagonist in this cover is Mordred the Mystic - and as any fan of the Scarlet Witch knows, Wanda is at best a dabbler - and not a full mystic. So she seems to be in a situation in which she's way over her head in.
Again, the cover - and expression of Wanda looking helplessly up, is greatly crafted by John Byrne. The background being a barren, perhaps snowy area - so yeah... the mood is likewise set by the colors. So as far as scenes go, this one promises to bring suspense - maybe even the success of the villain in affecting the Scarlet Witch. One therefore wonders if the Avengers can help her in time - and to do that, they need but peek inside the issue... that said, this cover is a definite tease and piques any fan's curiosity. But then again, isn't that what covers are supposed to do?
Number 2 - issue 184
Yes, this is another John Byrne cover (he is that good an artist), and this one doesn't really represent a heavy hitter, as far villain are concerned. After all Crusher Creel is a Thor villain - so why the need for an entire Avengers team? Yet here he is... seemingly larger than usual and teeming with power... and the Avengers are hard pressed to stop him.
The Avengers, at this juncture, happen to be Hawkeye, Iron Man, Vision, Ms. Marvel, the Beast and the Wasp. So this lineup has at least two heavy hitters and the rest aren't exactly push overs.
I can't recall what the Absorbing Man absorbed to become this much a threat to the Avengers, but obviously, this cover shouts action (similar to that of a movie's director when filming a scene starts), but Byrne's dynamism once again makes this cover a favorite. Never has Crusher Creel looked so formidable and dangerous, and never has the Avengers seemingly looked unable to stop a villain. Truth to tell, I did not expect this cover to be one of my top picks - but as I compared it to the others, I surprisingly saw myself choosing it over other more familiar covers.
And now... drum roll please!
Number 1 - issue 187
This cover says it all, the Avengers caught and floating helplessly - held motionless and upside down, by a spell seemingly concocted by a villain who has possessed the Scarlet Witch - seen laughing triumphantly. No need for word balloons here - in fact, the silence adds to its impact.
The Avengers - in this case, Captain America, Ms. Marvel, the Falcon, Quicksilver, the Wasp and Wonderman, are here to rescue Wanda, but the possession makes the task more difficult, as they need to find a way to defeat the villain 'Chthon' without hurting Wanda. Whoa... moment, right?
This could very well be a Halloween story as the cover promises intense and scary moments ahead. Chthon - by the way Wanda is acting is obviously a malevolent force, and the near darkness surrounding her - while the Avengers are relatively brightly lit, hints at the depths of Wanda's predicament and Chthon's darkness.
If the cover is any indicator, the story itself is one great adventure, making the Witch on Wundagore Mountain an instant hit and easily one of my favorite Avengers stories ever written and drawn. But don't take my word on it... try to find the compilation or if you like looking for back issues - try getting this two-part story.
Number 5 - issue 190
This cover shows a lot of action - as the Avengers (plus Daredevil) try to stop what seems to be an alien life form (its not) from seemingly just rampaging in the docks - and not exactly succeeding as Captain America, and the Beast are being tossed aside (either that or they're dodging the supposed blow in their own unique style), while Iron Man seems pinned down and the rest of them - Wasp, Ms. Marvel and the Vision are joining the fray.
The art is by then getting to be legendary artist - John Byrne with (I suspect) inks by Tom Palmer or Joe Rubinstein. Even the mastheads are a John Byrne rendition of the Avengers including the Falcon (who is not in the cover - probably doing monitor duty).
Byrne's dynamism shows in how his heroes are anatomically presented - Ms Marvel is sexy yet muscular, the Vision is seen rushing in form the right end of the cover and even considering the Wasp's wingspan being almost twice her body length to be able to lift her and make her fly. It is therefore no surprise that John's covers will show up again in this list.
Number 4 - issue 190
This cover shows the Beast passing on an antidote to the Vision as the latter is turning intangible to enter an unconscious and enlarged Yellow Jacket as Thor and the Scarlet Witch look on - unable to do anything else.
For long time Avengers fans - this represents a pleasant reversal of roles, as Hank Pym, then using his Antman persona, had to once enter the Vision to find out what was wrong with him.
For X-men fans, this was Hank McCoy doing what he did best - reminding everyone that he too, was a biochemist, and in this instance, he was using his mind to solve a problem to help his fellow Avenger. For Avengers fans who were still seeing the Beast as an X-man just hanging around the Avengers mansion, it represented the first step in realizing that the Beast had other things to contribute to the team aside from jokes.
The title blurb was a bit confusing though... and may have been better served if it was Invasion into the 50-foot hero = not of... but then again, who know? Maybe Yellow Jacket did invade something - after all, its been a long time since I've read this particular issue.
Number 3 - issue 186
As covers go, this one shows a captured Scarlet Witch being part of a magical spell - cast in a crucifix pose, possibly as a sacrifice, while the rest of her teammates who are not aware and nowhere near to help her... are simply represented by their floating heads (which are basically an enlarged version of their mastheads, lined up at the cover's left margin).
Adding to the danger is the fact that the antagonist in this cover is Mordred the Mystic - and as any fan of the Scarlet Witch knows, Wanda is at best a dabbler - and not a full mystic. So she seems to be in a situation in which she's way over her head in.
Again, the cover - and expression of Wanda looking helplessly up, is greatly crafted by John Byrne. The background being a barren, perhaps snowy area - so yeah... the mood is likewise set by the colors. So as far as scenes go, this one promises to bring suspense - maybe even the success of the villain in affecting the Scarlet Witch. One therefore wonders if the Avengers can help her in time - and to do that, they need but peek inside the issue... that said, this cover is a definite tease and piques any fan's curiosity. But then again, isn't that what covers are supposed to do?
Number 2 - issue 184
Yes, this is another John Byrne cover (he is that good an artist), and this one doesn't really represent a heavy hitter, as far villain are concerned. After all Crusher Creel is a Thor villain - so why the need for an entire Avengers team? Yet here he is... seemingly larger than usual and teeming with power... and the Avengers are hard pressed to stop him.
The Avengers, at this juncture, happen to be Hawkeye, Iron Man, Vision, Ms. Marvel, the Beast and the Wasp. So this lineup has at least two heavy hitters and the rest aren't exactly push overs.
I can't recall what the Absorbing Man absorbed to become this much a threat to the Avengers, but obviously, this cover shouts action (similar to that of a movie's director when filming a scene starts), but Byrne's dynamism once again makes this cover a favorite. Never has Crusher Creel looked so formidable and dangerous, and never has the Avengers seemingly looked unable to stop a villain. Truth to tell, I did not expect this cover to be one of my top picks - but as I compared it to the others, I surprisingly saw myself choosing it over other more familiar covers.
And now... drum roll please!
Number 1 - issue 187
This cover says it all, the Avengers caught and floating helplessly - held motionless and upside down, by a spell seemingly concocted by a villain who has possessed the Scarlet Witch - seen laughing triumphantly. No need for word balloons here - in fact, the silence adds to its impact.
The Avengers - in this case, Captain America, Ms. Marvel, the Falcon, Quicksilver, the Wasp and Wonderman, are here to rescue Wanda, but the possession makes the task more difficult, as they need to find a way to defeat the villain 'Chthon' without hurting Wanda. Whoa... moment, right?
This could very well be a Halloween story as the cover promises intense and scary moments ahead. Chthon - by the way Wanda is acting is obviously a malevolent force, and the near darkness surrounding her - while the Avengers are relatively brightly lit, hints at the depths of Wanda's predicament and Chthon's darkness.
If the cover is any indicator, the story itself is one great adventure, making the Witch on Wundagore Mountain an instant hit and easily one of my favorite Avengers stories ever written and drawn. But don't take my word on it... try to find the compilation or if you like looking for back issues - try getting this two-part story.
Top Avengers covers between 100 - 199 (part 1)
Continuing my coverage of what to me are the top Avengers covers, I've not compiled what my favorites are between 100 - 199. At first I was worried, as this period had a lot of really great covers... and a lot of mediocre ones as well, which was sort of frustrating because there were a great many milestones that (at least in hindsight) definitely deserved better covers. Oh well... Lets start with the countdown.
Number 10 - issue 181
A landmark issue and this makes the cut because of the sheer number of Avengers appearing on this cover. Definitely a strong pull for any reader... and maybe even a passer-by or two. After all, its rare that you see that many Avengers in a seeming crowded scene mingling around the Avengers' meeting table.
Plus, lets face it... gentleman George Perez really makes crowded scenes (I count 22 heroes, though I have to point out that the scene includes the Guardians of the Galaxy - so purists will insist on only 17 Avengers) look real good - all the way to this mysterious person announcing the need for a drastic cut in membership - the mysterious person being none other than Agent Gyrich. So if only because of this fact that George did this cover, makes it even more desirable a cover for me (though not the top one as is quite obvious at this point).
The issue itself is a milestone by way of limiting the active Avengers to just seven - a number that they've for the most of their duration, respected. Though I suspect it was to also give some sanity back to the writer by being able to better focus on just seven main characters.
Number 9 - issue 166
This cover speaks of drama! I mean, how couldn't it? We see Count Nefaria - a 2nd rate leader of villains with little to offer in any battle, except maybe giving orders, suddenly transformed into someone who can absorb the blows of Mjolnir! Holy leaping lizards B, er... sorry wrong comic universe. But you have to admit, even the cover shows a stumped Thor (though inside the comic, the story unfolds into a very wonderful manner showing a rather scared Nefaria slowly realizing Thor's hammer isn't actually hurting him).
So the cover definitely begs of a double take - making sure we... the readers see what we're actually seeing. Adding to the drama, is how the Vision is poised to jump into the fray, coming in from behind Nefaria... but will he be enough to stop this new and more powerful incarnation of Nefaria? If that was not what was lurking at the back of your mind as you saw the cover - I don't know what will make you excited. Nefaria's new look is courtesy of John Byrne, who would be the regular penciler for Avengers at this point in time. I can't place the cover credits though. Great issue... complemented by this great looking cover which announces the fact :Nefaria Supreme!
Number 8 - issue 127
As covers go, this was definitely draw with great impact... then again, we are talking about Gil Kane - a great artist around the time this issue came out. Plus the fact that this story has both the Inhumans and the Fantastic Four showing up and fighting side-by-side with the Avengers... well, lets just say it would be foolish not to pick this issue up. This cover hints at the action within the issue's pages as it literally entices people to pick it up.
But back to the cover. What I liked about it is the dynamism, and the fact that the reader is placed front and center in the way of the charge led by Thor and flanked by both the Vision and the Thing and backed up by the Torch, Blackbolt and Mr. Fantastic at the rear - whoa... this screams "out of the way!" lest you end up flying being tossed aside like those purple clad flunkies (as only how Gil Kane can draw them too).
This issue - as its cover blur displays, definitely promises Havoc in the Hidden Land (of Attilan).
Number 7 - issue 116
Avengers versus Defenders! This was a milestone clash of two teams, and although the Avengers were considered as Earth's Mightiest Heroes - that title could certainly be put to the test when faced with the likes of Dr. Strange, Namor, the Hulk and Silver Surfer!
Though this crossover happened in both titles, and through three months, one Avengers cover stands out among the rest - that being the Surfer versus the Vision and Scarlet Witch atop a volcano (an idea that apparently preceded that of Star Wars' battle between Obi Wan and Anakin by decades).
And an interesting battle it really was - albeit considering that the Surfer was holding back, and that his victory was only because Wanda was in danger and the Vision had to help her first. Still... the cover's drama covers it all and more (although the blurb might be a bit overly dramatic in stating the 'to the death' part).
Even the colors leap out to add to the fiery drama. I can't place the artist for this cover... I'd think it was Sal Buscema, maybe heavily aided by an inker. The reason I hesitate is because Sal rarely hits a homer as great as this cover... and if it is Sal's work, then boy was he really inspired to create it. If not... well, its a great cover - otherwise it wouldn't get to the top 10 of my choice.
Number 6 - issue 195
This issue is unique in the fact that it shows three insect-themed heroes... two of them having never teamed up in the first place (at least, in an Avengers book). I'm talking about Ant Man and Yellow Jacket of course, as they try to free a captured and unconscious Wasp.
Add to this tidbit, the fact that this issue's cover (and interiors) are by George Perez, and you've got a really good issue - and cover at that! I like the all out action by way of the ants and yellow jackets swarming the bad guys - seemingly being overrun; obviously being led by the two small sized heroes as they free the Wasp from some kind of lab (I assume its a lab with all those equipment in the background).
I mean, lets face it... these guys are hardly noticed in the power department - so its a welcome treat to show that the statement 'small but terrible' definitely applies to these guys. The interiors are equally breathtaking, as this is the time when George is really showing us what a great artist he is - complete with a near perfect attention to detail. Definitely showing us early signs of what made him a great artist when he later handled the Teen Titans.
So that's it, the bottom half of this little collection. Just to share a little trivia, it was much harder to select through this batch (issues 100 - 199) because so many dramatic milestones happened to the Avengers within this time frame, that I was sorely tempted to select covers representing the milestones. However, I took a step back and reminded myself that despite these milestones, it was the covers I was focusing on. In that regard, I was a bit worried somewhere in the middle of this batch as the covers were seemingly drawn in a haphazard manner - thus not meeting my criteria. Lucky for me, the better covers suddenly came out with a vengeance at the latter part, and I then had to trim down from my favorites until I got to my personal 10 best covers - the top half of which is coming next.
Number 10 - issue 181
A landmark issue and this makes the cut because of the sheer number of Avengers appearing on this cover. Definitely a strong pull for any reader... and maybe even a passer-by or two. After all, its rare that you see that many Avengers in a seeming crowded scene mingling around the Avengers' meeting table.
Plus, lets face it... gentleman George Perez really makes crowded scenes (I count 22 heroes, though I have to point out that the scene includes the Guardians of the Galaxy - so purists will insist on only 17 Avengers) look real good - all the way to this mysterious person announcing the need for a drastic cut in membership - the mysterious person being none other than Agent Gyrich. So if only because of this fact that George did this cover, makes it even more desirable a cover for me (though not the top one as is quite obvious at this point).
The issue itself is a milestone by way of limiting the active Avengers to just seven - a number that they've for the most of their duration, respected. Though I suspect it was to also give some sanity back to the writer by being able to better focus on just seven main characters.
Number 9 - issue 166
This cover speaks of drama! I mean, how couldn't it? We see Count Nefaria - a 2nd rate leader of villains with little to offer in any battle, except maybe giving orders, suddenly transformed into someone who can absorb the blows of Mjolnir! Holy leaping lizards B, er... sorry wrong comic universe. But you have to admit, even the cover shows a stumped Thor (though inside the comic, the story unfolds into a very wonderful manner showing a rather scared Nefaria slowly realizing Thor's hammer isn't actually hurting him).
So the cover definitely begs of a double take - making sure we... the readers see what we're actually seeing. Adding to the drama, is how the Vision is poised to jump into the fray, coming in from behind Nefaria... but will he be enough to stop this new and more powerful incarnation of Nefaria? If that was not what was lurking at the back of your mind as you saw the cover - I don't know what will make you excited. Nefaria's new look is courtesy of John Byrne, who would be the regular penciler for Avengers at this point in time. I can't place the cover credits though. Great issue... complemented by this great looking cover which announces the fact :Nefaria Supreme!
Number 8 - issue 127
As covers go, this was definitely draw with great impact... then again, we are talking about Gil Kane - a great artist around the time this issue came out. Plus the fact that this story has both the Inhumans and the Fantastic Four showing up and fighting side-by-side with the Avengers... well, lets just say it would be foolish not to pick this issue up. This cover hints at the action within the issue's pages as it literally entices people to pick it up.
But back to the cover. What I liked about it is the dynamism, and the fact that the reader is placed front and center in the way of the charge led by Thor and flanked by both the Vision and the Thing and backed up by the Torch, Blackbolt and Mr. Fantastic at the rear - whoa... this screams "out of the way!" lest you end up flying being tossed aside like those purple clad flunkies (as only how Gil Kane can draw them too).
This issue - as its cover blur displays, definitely promises Havoc in the Hidden Land (of Attilan).
Number 7 - issue 116
Avengers versus Defenders! This was a milestone clash of two teams, and although the Avengers were considered as Earth's Mightiest Heroes - that title could certainly be put to the test when faced with the likes of Dr. Strange, Namor, the Hulk and Silver Surfer!
Though this crossover happened in both titles, and through three months, one Avengers cover stands out among the rest - that being the Surfer versus the Vision and Scarlet Witch atop a volcano (an idea that apparently preceded that of Star Wars' battle between Obi Wan and Anakin by decades).
And an interesting battle it really was - albeit considering that the Surfer was holding back, and that his victory was only because Wanda was in danger and the Vision had to help her first. Still... the cover's drama covers it all and more (although the blurb might be a bit overly dramatic in stating the 'to the death' part).
Even the colors leap out to add to the fiery drama. I can't place the artist for this cover... I'd think it was Sal Buscema, maybe heavily aided by an inker. The reason I hesitate is because Sal rarely hits a homer as great as this cover... and if it is Sal's work, then boy was he really inspired to create it. If not... well, its a great cover - otherwise it wouldn't get to the top 10 of my choice.
Number 6 - issue 195
This issue is unique in the fact that it shows three insect-themed heroes... two of them having never teamed up in the first place (at least, in an Avengers book). I'm talking about Ant Man and Yellow Jacket of course, as they try to free a captured and unconscious Wasp.
Add to this tidbit, the fact that this issue's cover (and interiors) are by George Perez, and you've got a really good issue - and cover at that! I like the all out action by way of the ants and yellow jackets swarming the bad guys - seemingly being overrun; obviously being led by the two small sized heroes as they free the Wasp from some kind of lab (I assume its a lab with all those equipment in the background).
I mean, lets face it... these guys are hardly noticed in the power department - so its a welcome treat to show that the statement 'small but terrible' definitely applies to these guys. The interiors are equally breathtaking, as this is the time when George is really showing us what a great artist he is - complete with a near perfect attention to detail. Definitely showing us early signs of what made him a great artist when he later handled the Teen Titans.
So that's it, the bottom half of this little collection. Just to share a little trivia, it was much harder to select through this batch (issues 100 - 199) because so many dramatic milestones happened to the Avengers within this time frame, that I was sorely tempted to select covers representing the milestones. However, I took a step back and reminded myself that despite these milestones, it was the covers I was focusing on. In that regard, I was a bit worried somewhere in the middle of this batch as the covers were seemingly drawn in a haphazard manner - thus not meeting my criteria. Lucky for me, the better covers suddenly came out with a vengeance at the latter part, and I then had to trim down from my favorites until I got to my personal 10 best covers - the top half of which is coming next.
Saturday, September 03, 2011
Top Avengers covers between 1 - 99 (part 2)
Continuing my personal Top 10 Avengers covers of the first 99 issues...
Number 5 - issue #73
You could say that this is the reverse of the cover with floating heads technique, wherein the foreground would show the hero fighting while heads of the rest of the team would be floating (see issue 60 for a sample of floating heads).
This time, the Avengers are monitoring what is happening to their teammate - the Black Panther, once again seemingly helpless to jump into battle (just an assumption of course).
The foreground shows four of the Avengers (Goliath, Yellowjacket, Wasp and the Vision - the only one not showing any emotion as he belabors the obvious) in a seemingly unlit room monitoring a battle between T'chala and the Sons of the Serpent.
Whoever thought of this concept was creative in giving the room a bluish monochromatic effect while giving focus to the porthole shaped monitor by rendering its view in full color. That artistic choice of coloration alone catapults this cover to the number five spot.
Number 4 - issue #96
What's there not to like about this issue's cover? It promises a lot of action, and the drama of the story is definitely more telling with the rendition of said Avengers by fan favorite (although at that time, not yet quite knows, but quickly getting there) Neal Adams.
This happens to be one of the earlier Avengers covers (and comic) I got my hands on - and if you think the art is stunning here, you should see the insides.
One other impact this cover has to fans of the title, its where they see the Vision - supposedly cold and calculating, explode with rage - venting it out on the helpless Skrull, who is, albeit - colored wrongly. Oh well...
One last item - the Andromeda swarm was a title of a movie in the Seventies, so its not a surprise that they used the title of said movie to showcase the Avengers in space.
Number 3 - issue 57
It takes a very special cover to break the monopoly of an otherwise top 3 Neal Adams cover stranglehold (can I help it if he really does great art?), and the cover to issue 57 is just such a cover.
Here is where we see the Vision for the very first time in the covers of any Avengers comic. And just to make sure its dramatic enough, we've got the purely monochromatic red (and variations of such color) to be the only color - and no, black and white are more shades than colors.
We see a large version of the Vision (wearing his Mr. Spock-like face) with the Avengers seemingly reeling from this character's strength, or clouds or what have you. I mention it this way because it will be the first time the Avengers encounter this new threat - and later, this noble character.
As far as comics go, this is John Buscema at his peak.
Number 2 - issue 93
Another 'team rushing into another team' cover - albeit taken from the vantage point of being in one side... this time - the Avengers' side of this intergalactic war later dubbed as the Kree-Skrull War.
The villains they're fighting? Three members of the Fantastic Four... well, actuall... Skrulls disguised as the Fantastic Four's male members... relatively fresh from having defeated the Vision and the Scarlet Witch - who are down on the ground presumed to be unconscious. From this backdrop the Skrulls are bracing for round two - but this time, they face the Big 3 (Cap, Thor, Iron Man).
Once again, Neal Adams shines with this issue, which, by the way, happens to be a thicker issue - as an unofficial Giant sized story (and what a story it is too!).
And the number one issue cover - when comparing the first 99 issues is... issue #92!
Who can believe how this cover announces the end of the Avengers... what?! There must be some mistake! And the fact that its a Neal Adams drawn cover, helps build the drama. Heck, he even draws Iron Man with the nose in a noble-like stance. For that matter - Thor and Captain America, likewise stand alert as they (including Iron Man) observe how the rest of the Avengers, namely Clint, Vision, Scarlet Witch and Pietro, move away from Thor et al, with bowed heads.
Just the mere possibilities of the Avengers battling each other - that would have been a sight to behold.
Of course, the truth may very well hurt as the three Avengers are actually Skrulls in disguise, thus making the other four Avengers realize the whole farce of it all. Unfortunate for them... as this split definitely weakens the team - leading to the capture of Pietro and Wanda by the Kree.
Ah... but we're not here to talk contents - just covers... and any cover by Neal Adams turns into a masterpiece.
Number 5 - issue #73
You could say that this is the reverse of the cover with floating heads technique, wherein the foreground would show the hero fighting while heads of the rest of the team would be floating (see issue 60 for a sample of floating heads).
This time, the Avengers are monitoring what is happening to their teammate - the Black Panther, once again seemingly helpless to jump into battle (just an assumption of course).
The foreground shows four of the Avengers (Goliath, Yellowjacket, Wasp and the Vision - the only one not showing any emotion as he belabors the obvious) in a seemingly unlit room monitoring a battle between T'chala and the Sons of the Serpent.
Whoever thought of this concept was creative in giving the room a bluish monochromatic effect while giving focus to the porthole shaped monitor by rendering its view in full color. That artistic choice of coloration alone catapults this cover to the number five spot.
Number 4 - issue #96
What's there not to like about this issue's cover? It promises a lot of action, and the drama of the story is definitely more telling with the rendition of said Avengers by fan favorite (although at that time, not yet quite knows, but quickly getting there) Neal Adams.
This happens to be one of the earlier Avengers covers (and comic) I got my hands on - and if you think the art is stunning here, you should see the insides.
One other impact this cover has to fans of the title, its where they see the Vision - supposedly cold and calculating, explode with rage - venting it out on the helpless Skrull, who is, albeit - colored wrongly. Oh well...
One last item - the Andromeda swarm was a title of a movie in the Seventies, so its not a surprise that they used the title of said movie to showcase the Avengers in space.
Number 3 - issue 57
It takes a very special cover to break the monopoly of an otherwise top 3 Neal Adams cover stranglehold (can I help it if he really does great art?), and the cover to issue 57 is just such a cover.
Here is where we see the Vision for the very first time in the covers of any Avengers comic. And just to make sure its dramatic enough, we've got the purely monochromatic red (and variations of such color) to be the only color - and no, black and white are more shades than colors.
We see a large version of the Vision (wearing his Mr. Spock-like face) with the Avengers seemingly reeling from this character's strength, or clouds or what have you. I mention it this way because it will be the first time the Avengers encounter this new threat - and later, this noble character.
As far as comics go, this is John Buscema at his peak.
Number 2 - issue 93
Another 'team rushing into another team' cover - albeit taken from the vantage point of being in one side... this time - the Avengers' side of this intergalactic war later dubbed as the Kree-Skrull War.
The villains they're fighting? Three members of the Fantastic Four... well, actuall... Skrulls disguised as the Fantastic Four's male members... relatively fresh from having defeated the Vision and the Scarlet Witch - who are down on the ground presumed to be unconscious. From this backdrop the Skrulls are bracing for round two - but this time, they face the Big 3 (Cap, Thor, Iron Man).
Once again, Neal Adams shines with this issue, which, by the way, happens to be a thicker issue - as an unofficial Giant sized story (and what a story it is too!).
And the number one issue cover - when comparing the first 99 issues is... issue #92!
Who can believe how this cover announces the end of the Avengers... what?! There must be some mistake! And the fact that its a Neal Adams drawn cover, helps build the drama. Heck, he even draws Iron Man with the nose in a noble-like stance. For that matter - Thor and Captain America, likewise stand alert as they (including Iron Man) observe how the rest of the Avengers, namely Clint, Vision, Scarlet Witch and Pietro, move away from Thor et al, with bowed heads.
Just the mere possibilities of the Avengers battling each other - that would have been a sight to behold.
Of course, the truth may very well hurt as the three Avengers are actually Skrulls in disguise, thus making the other four Avengers realize the whole farce of it all. Unfortunate for them... as this split definitely weakens the team - leading to the capture of Pietro and Wanda by the Kree.
Ah... but we're not here to talk contents - just covers... and any cover by Neal Adams turns into a masterpiece.
Friday, September 02, 2011
Top Avengers covers between 1 - 99 (part 1)
I'll admit to being inspired by Justin Carmona's article on comicsbulletin.com wherein he came up with his Top 10 Avengers covers - some of which I liked, others I beg to differ with. But rather than complain, I decided ot come up with my own Top 10... however, I found myself liking a lot of covers, that I've decided to come up with my favorites in groupings first. Therefore, I'll have several write-ups about these covers - maybe up to 5, to say the least; assuming there would be a coverage of my choices from 100 covers every article until we reach the fairly recent ones.
If you wish to read up on Justin's article, see this link: Top 10 Avengers Covers by Justin
As for me, here are my 'personal' Top Ten from the first 99 issues (at least, the bottom half, namely from numbers 10 to 6):
Number 10 is issue #20
I liked the idea of seeing Captain America being seemingly hurled by the issue's villain, namely the Swordsman, as Cap's fellow Avengers stare in shock and seeming helplessness.
Yet if you look closely, Cap's face is anything but calm - you could almost imagine him planning how to get out of this predicament. A definite attention-getting cover to any passers-by.
Needless to say, one has to wonder how Captain America will get out of this predicament - hence the need ot read the comic's contents.
If I'm not mistaken, the artist to this cover looks like Jack Kirby, and if so - I have to say that Jack sure draws a noble-looking Cap... not surprising, since he (Jack) does draw Cap as well in his (Cap's) solo title.
Number 9 is issue #60
Talk about covers that grab you? This one feels like its literally strangling the reader and not just the Wasp! And a wedding? For the casual reader, this is another curiosity - for the Avengers fan, this is a milestone... after all, aside from Reed Richards and Sue Storm, who else happens to be married?
Come to think of it, where are the Avengers anyway? The floating heads of the Avengers staring down seem to hint at their not being present - or helpless to stop the really large snake from sinking it's fangs (and presumable poison) into Janet, as her husband to be - the mysterious (at that time) Yellow Jacket is rushing to try and save her.
Once again, the reader is literally drawn into the story - and the byline below the page seems to tease the readers that it may very well happen within this comic's pages.
Number 8 is issue #71
In hindsight, one realizes now that this is a momentous event as it sets the first ever cross-over between the Avengers and the chronologically (in Marvel time) formed team of World War II heroes - the Invaders. Of course, when this comic came out, the Invaders were not even an idea thought out,,, in fact, if you look at Cap's shield - it looks rather different... hinting at the fact that this is Cap of WWII fighting with the Black Panther.
It stands to reason that the Human Torch battling the Vision is Jim Hammond - the original version, and not Johnny Storm from the Fantastic Four.
Lastly, we have Namor battling Yellow Jacket - and you have to wonder how this guy... Yellow Jacket, got the capability to fight the Submariner.
The story is part of a multi-dimensional, multi-temporally manipulated time battle pitting the Avengers against heroes and villains of differing time lines. Whether this becomes the impetus for Roy Thomas to create the Invaders a decade later remains a mystery... but I won't discount the possibility.
Number 7 is issue #70
I'm a sucker for these team rushing headlong into battle covers - I mean, isn't this what the Avengers is all about? Battling either a villain to large for one of them to handle alone... or battling another team - more so if its a team of villains?
Well this issue does have villains - carefully crafted after the JLA... you have Hyperion (the Superman counterpart) fighting it out with Goliath, Whizzer (the Flash of course) vs. Thor, Doctor Spectrum (the Green Lantern amalgam) battling Iron Man and Nighthawk (the Batman of their team) fighting Captain America.
This story happens to be an earlier part of the previous issue I referred to - and in this case, this seems to be a dimension-hopping battle.
Later, the Squadron Sinister would inspire the creation of the 'Good' team - Squadron Supreme. But for now, they're a new team of villains, specifically chosen to battle one half of the team of Avengers (while the other half of the team is sent to WWII).
Number 6 is issue #53
As I said, I'm a sucker for teams rushing headlong into battle - but this time, its not a team form the past or a team from another dimension. It happens to be a team of mutants more popularly known as the X-men, and whatever the reason, it seems that the Angel is rushing from somewhere to stop the fight.
This happens to be the X-men as graduates from Xavier's training, thus the very colorful costumes as opposed to the blue and yellow uniforms they wore while under Xavier's tutelage. Of course, not all of Xavier's graduates have good taste in costumes - as Angel's color combination is horrible.
Being a fan of the X-men, this would have been a sucker bet regarding whether I'd get this issue or not. I mean, two of Marvel's top three teams battling it out? This cover just screams of action - so whatever the reason, this promises Marvel's best teams (at the time of this issue's release) fighting... nuff said.
So there you have it, the bottom half of my Top 10. I decided to cut the blog entry short to make it more manageable - as against coming up with the article filled with 10 issues - which seeming becomes unwieldy. I'll be posting part two in a while, so no worries.
The Avengers, Invaders, Fantastic Four, Squadron Sinister and Squadron Supreme are all characters of Marvel Comics. Batman, Superman, Green Lanters and the Flash are all characters from DC comics. All covers are courtesy of cover browser: Cover Browser - Avengers
If you wish to read up on Justin's article, see this link: Top 10 Avengers Covers by Justin
As for me, here are my 'personal' Top Ten from the first 99 issues (at least, the bottom half, namely from numbers 10 to 6):
Number 10 is issue #20
I liked the idea of seeing Captain America being seemingly hurled by the issue's villain, namely the Swordsman, as Cap's fellow Avengers stare in shock and seeming helplessness.
Yet if you look closely, Cap's face is anything but calm - you could almost imagine him planning how to get out of this predicament. A definite attention-getting cover to any passers-by.
Needless to say, one has to wonder how Captain America will get out of this predicament - hence the need ot read the comic's contents.
If I'm not mistaken, the artist to this cover looks like Jack Kirby, and if so - I have to say that Jack sure draws a noble-looking Cap... not surprising, since he (Jack) does draw Cap as well in his (Cap's) solo title.
Number 9 is issue #60
Talk about covers that grab you? This one feels like its literally strangling the reader and not just the Wasp! And a wedding? For the casual reader, this is another curiosity - for the Avengers fan, this is a milestone... after all, aside from Reed Richards and Sue Storm, who else happens to be married?
Come to think of it, where are the Avengers anyway? The floating heads of the Avengers staring down seem to hint at their not being present - or helpless to stop the really large snake from sinking it's fangs (and presumable poison) into Janet, as her husband to be - the mysterious (at that time) Yellow Jacket is rushing to try and save her.
Once again, the reader is literally drawn into the story - and the byline below the page seems to tease the readers that it may very well happen within this comic's pages.
Number 8 is issue #71
In hindsight, one realizes now that this is a momentous event as it sets the first ever cross-over between the Avengers and the chronologically (in Marvel time) formed team of World War II heroes - the Invaders. Of course, when this comic came out, the Invaders were not even an idea thought out,,, in fact, if you look at Cap's shield - it looks rather different... hinting at the fact that this is Cap of WWII fighting with the Black Panther.
It stands to reason that the Human Torch battling the Vision is Jim Hammond - the original version, and not Johnny Storm from the Fantastic Four.
Lastly, we have Namor battling Yellow Jacket - and you have to wonder how this guy... Yellow Jacket, got the capability to fight the Submariner.
The story is part of a multi-dimensional, multi-temporally manipulated time battle pitting the Avengers against heroes and villains of differing time lines. Whether this becomes the impetus for Roy Thomas to create the Invaders a decade later remains a mystery... but I won't discount the possibility.
Number 7 is issue #70
I'm a sucker for these team rushing headlong into battle covers - I mean, isn't this what the Avengers is all about? Battling either a villain to large for one of them to handle alone... or battling another team - more so if its a team of villains?
Well this issue does have villains - carefully crafted after the JLA... you have Hyperion (the Superman counterpart) fighting it out with Goliath, Whizzer (the Flash of course) vs. Thor, Doctor Spectrum (the Green Lantern amalgam) battling Iron Man and Nighthawk (the Batman of their team) fighting Captain America.
This story happens to be an earlier part of the previous issue I referred to - and in this case, this seems to be a dimension-hopping battle.
Later, the Squadron Sinister would inspire the creation of the 'Good' team - Squadron Supreme. But for now, they're a new team of villains, specifically chosen to battle one half of the team of Avengers (while the other half of the team is sent to WWII).
Number 6 is issue #53
As I said, I'm a sucker for teams rushing headlong into battle - but this time, its not a team form the past or a team from another dimension. It happens to be a team of mutants more popularly known as the X-men, and whatever the reason, it seems that the Angel is rushing from somewhere to stop the fight.
This happens to be the X-men as graduates from Xavier's training, thus the very colorful costumes as opposed to the blue and yellow uniforms they wore while under Xavier's tutelage. Of course, not all of Xavier's graduates have good taste in costumes - as Angel's color combination is horrible.
Being a fan of the X-men, this would have been a sucker bet regarding whether I'd get this issue or not. I mean, two of Marvel's top three teams battling it out? This cover just screams of action - so whatever the reason, this promises Marvel's best teams (at the time of this issue's release) fighting... nuff said.
So there you have it, the bottom half of my Top 10. I decided to cut the blog entry short to make it more manageable - as against coming up with the article filled with 10 issues - which seeming becomes unwieldy. I'll be posting part two in a while, so no worries.
The Avengers, Invaders, Fantastic Four, Squadron Sinister and Squadron Supreme are all characters of Marvel Comics. Batman, Superman, Green Lanters and the Flash are all characters from DC comics. All covers are courtesy of cover browser: Cover Browser - Avengers
Tuesday, August 30, 2011
Fables... the continuing adventures.
As a child, have you ever wondered what happened after '...happily ever after."? I mean, think about it... sure the hero (or heroes) won; villain or villains vanquished; magical kingdom restored or recovering... I could go on, but I think you get the picture - right? The more demanding of us would even insist that our parents (or whoever else is supplying the stories) continue - after all, life goes on... why not the fairy tale life as well?
Naturally, as we grew old, the tales lost their inherent magic touch on us - and we simply slipped into the mundane realities that we are so familiar with. But, what if... what is life did indeed go on for our fairy tales? How would it possibly go?
Well, for starters, Bill Willingham has given us a glimpse of such life in the now critically acclaimed 'Fables' - and its so easy to get into the story, seeing as how a lot of the characters in Fable town (yes, that's what they call a part of New York where they live - and yes... I did type out New York) live. Old King Cole is the mayor (no monarchs in the U.S. of A.) and his chief administrator is Snow (White), and that's just for starters. The person keeping the peace happens to be Bigby - and I'll just keep Bigby's little secret - of how he is better known as for a while.
Naturally, what good is a story without a villain? Right? Well, this villain is veiled in shrouded mystery - even the Fables do not know his (or her?) identity - all they know is that they've been caught in a grip of tyrannical conquest, and have escaped to the mundane world... though not all of them were able to make it out - so others are feared captured... possibly even dead.
Being Fables, though, some of them are somehow immortal - for so long as their stories are being told, they will not die. Hence a successful attempt at Snow's life proves the point. Sure she's wounded unto death's door - just for a while, but is soon in the process (albeit slow and painful) of recovery - pretty soon she's back to looking like the fairest of them all.
But even Snow has some secrets - ones she never wants to share, and are only hinted as some stories she tells others (like what exactly befell of the seven dwarves fates), and here - as in many occasions, is where many readers will realize that this fable is not being told for children's sake. Nope - there's the usual intrigue, back stabbing, arguments, spies, promiscuity amongst long time partners - or not, and other stuff best kept to the adults.
After all, if anything is to be gleaned from Willingham's fables, its that our favorite characters are - just like most humans, imperfect. Forced to live out of their realm, and faced with a common threat, they forget past affronts, and have banded together to try survive while experiencing the non-magical realm of the mundanes (keeping themselves secretly hidden in plain sight) and just making a life for themselves.
If you're wondering where to start said adventure, well... the logical point would be at the start of Bill's tale, naturally. Be warned, however, that these tales now number in the hundreds - and I have such great envy for anyone starting to read Fables and their continuing adventures for the very first time.
You might have some difficulties finding past issues of the comicbooks - I did say they were in comicbook format, right? No? Well they are... anyway, if you can't find the comics, then get the trades - in fact, these trades have of recent times, been reprinted into deluxe hardcover versions... and I just got my third volume fairly recently. So I know that anyone who wishes to jump in and read up on the Fables, can easily do just that. After all, I'm a classic example of the latter - deciding to collect the Deluxe trades, rather than the per issue versions. I may not be up to date with what's happening... but that's all right. These stories are still as timeless as the way they started.
I cannot recommend this enough - but be warned, it may still be hard to explain what happens next to a young child, eager to know what happens after "...and they lived happily ever after.", after all, it seems our Fables are still trying to achieve that elusive goal... but then, aren't we all?
Fables is a series of graphic novels published by DC under its Vertigo line. If you wish to see more covers and snippets of plot lines per graphic novel, here's a site you can reference: Fables Graphic Novels
Naturally, as we grew old, the tales lost their inherent magic touch on us - and we simply slipped into the mundane realities that we are so familiar with. But, what if... what is life did indeed go on for our fairy tales? How would it possibly go?
Well, for starters, Bill Willingham has given us a glimpse of such life in the now critically acclaimed 'Fables' - and its so easy to get into the story, seeing as how a lot of the characters in Fable town (yes, that's what they call a part of New York where they live - and yes... I did type out New York) live. Old King Cole is the mayor (no monarchs in the U.S. of A.) and his chief administrator is Snow (White), and that's just for starters. The person keeping the peace happens to be Bigby - and I'll just keep Bigby's little secret - of how he is better known as for a while.
Naturally, what good is a story without a villain? Right? Well, this villain is veiled in shrouded mystery - even the Fables do not know his (or her?) identity - all they know is that they've been caught in a grip of tyrannical conquest, and have escaped to the mundane world... though not all of them were able to make it out - so others are feared captured... possibly even dead.
Being Fables, though, some of them are somehow immortal - for so long as their stories are being told, they will not die. Hence a successful attempt at Snow's life proves the point. Sure she's wounded unto death's door - just for a while, but is soon in the process (albeit slow and painful) of recovery - pretty soon she's back to looking like the fairest of them all.
But even Snow has some secrets - ones she never wants to share, and are only hinted as some stories she tells others (like what exactly befell of the seven dwarves fates), and here - as in many occasions, is where many readers will realize that this fable is not being told for children's sake. Nope - there's the usual intrigue, back stabbing, arguments, spies, promiscuity amongst long time partners - or not, and other stuff best kept to the adults.
After all, if anything is to be gleaned from Willingham's fables, its that our favorite characters are - just like most humans, imperfect. Forced to live out of their realm, and faced with a common threat, they forget past affronts, and have banded together to try survive while experiencing the non-magical realm of the mundanes (keeping themselves secretly hidden in plain sight) and just making a life for themselves.
If you're wondering where to start said adventure, well... the logical point would be at the start of Bill's tale, naturally. Be warned, however, that these tales now number in the hundreds - and I have such great envy for anyone starting to read Fables and their continuing adventures for the very first time.
You might have some difficulties finding past issues of the comicbooks - I did say they were in comicbook format, right? No? Well they are... anyway, if you can't find the comics, then get the trades - in fact, these trades have of recent times, been reprinted into deluxe hardcover versions... and I just got my third volume fairly recently. So I know that anyone who wishes to jump in and read up on the Fables, can easily do just that. After all, I'm a classic example of the latter - deciding to collect the Deluxe trades, rather than the per issue versions. I may not be up to date with what's happening... but that's all right. These stories are still as timeless as the way they started.
I cannot recommend this enough - but be warned, it may still be hard to explain what happens next to a young child, eager to know what happens after "...and they lived happily ever after.", after all, it seems our Fables are still trying to achieve that elusive goal... but then, aren't we all?
Fables is a series of graphic novels published by DC under its Vertigo line. If you wish to see more covers and snippets of plot lines per graphic novel, here's a site you can reference: Fables Graphic Novels
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